In exile, he imagined a different Africa in his music, while being exposed to new realities abroad.
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The revered trombonist, composer and cultural activist never wished to be ‘the state composer’ but remained political until the end, in service of the people.
The politics of Jonas Gwangwa’s music have stayed constant over the years, and are also apparent in the eight albums he has released in South Africa since returning from 30 years of exile.
Songstress Dorothy Masuku once told South Africa’s public broadcaster that music was like breathing for her.
South African jazz veteran Jonas Gwangwa has been getting recognition for the pivotal role he played in ‘singing down apartheid.’
