Reading Guernica as a comic positions the painting not as a lofty work of fine art, but as a public narrative of violence.
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Trump Baby is the latest in a long history of visual protests. But is this ‘cheap shot street theatre’ truly effective, or should we ask more of protest artists?
Spain has specific laws on protecting historical memory, and yet some would rather forget about them altogether.
‘African Guernica’ is an incredibly powerful work of art in many ways, importantly filling that space between the visible and the visible.
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South African visual artist and senior lecturer of Art History and Visual Culture at Rhodes University, Rhodes University
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Associate Professor in Hispanic Studies, Swansea University
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Associate Professor at UNSW Art & Design, UNSW
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Senior Lecturer in English and Creative Writing, Sheffield Hallam University