Articles on Cinema

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When Dirty Dancing is reduced to its dance sequences, the powerful politics of the film are erased. Vestron Pictures

The Real Dirty Dancing reduces a political film to little more than coy dance numbers

Dirty Dancing’s dance sequences are stand-alone properties, famous in their own right. But when they’re considered in isolation, the film’s messy class, race and gender politics are sidelined.
Joaquin Phoenix in Joker (2019): the Joker’s humour-filled rebellion has typically contrasted with Batman’s dour moral self-righteousness. Warner Bros

The Joker’s origin story comes at a perfect moment: clowns define our times

Culturally, the joker turns socially significant places into spaces of carnival, revealing cracks within the social order. He is an enduring character – and a common figure in 2019.
Phoenix Raei plays an Iranian refugee forced to join a fight club in a detention centre in the film Below. Melbourne International Film Festival

A new Australian film set in an immigration detention centre is a jarring mix of violence, satire and humanism

In the film Below, a fight club is set up in a fictional, remote immigration detention centre. However the film’s shock tactics often feel manufactured, and risk exploiting the refugee crisis as mere backdrop.
Filmmaker Agnes Varda holds the Honorary Palme d'Or award at the 68th international film festival, Cannes, France. Varda, a central figure of the French New Wave who later won the Golden Lion at the Venice Film Festival, has died. She was 90. AP/Thibault Camus

Agnès Varda, a pioneering artist who saw the extraordinary in the ordinary

Beloved film director Agnès Varda died at age 90, on March 29th. She was a pioneer of French New Wave cinema and admired for her ability to understand time and see beauty outside of mechanical norms.

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