Articles on cabaret
Displaying all articles
Meow Meow’s The Red Shoes is her latest interpretation of a Hans Christian Andersen fairytale, told through the story of a showgirl.
Black, Fat and F**gy is an entirely unique, memorable and vital performance work you should move to the top of your list of must-see Midsumma events.
Eddie Redmayne’s jagged performance embodies the extreme rupture between Weimar and Nazi culture.
Now in its 24th year, the Adelaide Cabaret Festival’s annual celebration of all things cabaret sparkles and shines.
In the early 1970s, the movie musical was calling for a radical approach: Cabaret would be that groundbreaking revision.
Amid the uncertainty and pain in the world magnified by COVID-19, puppeteers and jesters get away with telling hard truths and inciting cathartic laughter.
Steven Oliver’s new cabaret show is an exhilarating journey through hard-hitting stories about success, love, depression and racism.
Victoria Opera’s ‘Tis Pity brings a litany of harlots to the stage, but doesn’t give its female lead many characters to play with. Indeed it risks capitulating to the very 'male hypocrisy’ it seeks to address.
Victorian Opera this week stages The Seven Deadly Sins, the final collaboration between Kurt Weill and Bertolt Brecht. First staged in 1933, it is a masterpiece by two of the most revolutionary artists of Weimar Germany.
In their 2014 Melbourne Fringe Festival performance Mama Alto and her musical director Tiffani Walton pay tribute to Sarah Vaughan, one of the great ladies of American song. Mama Alto charmed her audience…
Can you imagine attending a lecture on, say, string theory and finding that the lecturer was actually explaining this complex scientific concept using his own words – sung to the tune of Queen’s Bohemian…










