Articles on Belvoir
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There have been more than 30 professional Australian productions of Death of a Salesman in 70 years. Now, Anthony LaPaglia steps into Willy Loman’s shoes.
Meow Meow’s The Red Shoes is her latest interpretation of a Hans Christian Andersen fairytale, told through the story of a showgirl.
First published in 1928, Virgina Woolf’s Orlando throws gender politics into the air. A new adaptation fails to define a problem for Orlando to push back against.
In Belvoir’s new adaptation of The Spare Room, Judy Davis lights up the stage. But the production does not match Davis’ star performance.
Belvoir’s new play Nayika: A Dancing Girl blends music, dance and drama using a neo-classical version of Bharatanatyam dance.
Eamon Flack’s production captures well – and with a lovely, light touch – the sense of fleeting memories that are, nevertheless, still available to us.
Eamon Flack gives Bulgakov’s classic epic novel a riotous interpretation.
Maeve Marsden’s play lays bare what happens when love and family are politicised.
After the roaring success of Counting and Cracking, S. Shakthidharan and Eamon Flack have produced another play that will captivate audiences.
Based on Anne Deveson’s 1991 memoir about her son’s experience with schizophrenia, this play can be achingly sad. But it also offers hope.
Belvoir’s outrageously fun new pantomime is a celebration of modern Australia.
Loosely based on the ABC journalist’s own experiences, Stop Girl opens up a story about PTSD after war.
In Kodie Bedford’s first play, Bernadette returns to her family in Geraldton – where everything is as mad as ever.








