The recent track attacking Labor proves one thing: the Coalition doesn’t understand hip-hop.
Articles on Appropriation
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White saviourism is the paternalistic notion that white people are needed to “save” people of colour from their circumstances.
The work remains a crowd favorite. But more and more scholars are starting to see ‘Rhapsody’ as a whitewashed version of Harlem’s vibrant Black music scene.
Hip hop’s swaggering braggadocio acts as a counterpoint to the Roy family’s rarefied worlds of high finance and plutocratic untouchability.
Nigeria’s Afrobeats stars love to identify with Fela’s activism and music - but their tributes are becoming opportunistic and empty.
Buys, the award-winning novel by Willem Anker, uses lines without credit from the Irish writer - not the first such literary controversy it has raised.
Appropriating slogans associated with other causes creates false equivalencies and causes confusion.
As political parties spar, insults and catchphrases are adopted, appropriated and reappropriated in a dizzying verbal arms race.
Hindu gods are not attractive images to be worn thoughtlessly.
A recent TikTok trend involved people impersonating Holocaust victims. This has sparked questions about how to ethically use testimony in digital media.
Top contributors
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Adjunct Professor in Sociology, Carleton University
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Associate Professor and Chair of Music, Colorado College
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Professor of Critical and Cultural Theory and Head of the School of the Arts, University of Hull
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Professor of Modern Languages and German Studies, University of Birmingham
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Roger J. Kreuz is a Friend of The Conversation.
Associate Dean and Feinstone Interdisciplinary Research Professor, University of Memphis
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Professor of Music, University College Cork
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Associate professor, University of the Free State
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Associate Professor Visual Communication, University of Technology Sydney
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Senior Lecturer, Visual Communication, School of Design, University of Technology Sydney
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Research Fellow, Rhodes University
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Senior Lecturer in Music, School of Business and Creative Industries, University of the Sunshine Coast