We’ve been telling stories about 9/11 since it happened. The really great ones helped shape how we feel about the attacks and their aftermath.
Articles on American fiction
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Ann Patchett’s 11th novel follows a daughter and father who reunite and learn to be better to each other.
29-year-old Madeline Cash’s debut, Lost Lambs, was lauded by Lena Dunham – and it’s inspired by The Corrections and hard-boiled detective fiction.
The Nickel Boys dramatises the real-life history of a segregated reform school in the segregated Jim Crow South: a front for coerced labour and scene of abuse.
Literary discourse requires authors of colour to produce “authentic” narratives. They are then required to embody this “authenticity” when presenting themselves in public.
With the passing of Paul Auster, the aesthetics of postmodernism retreated another significant step back into the past tense of history.
It’s been nine years since #OscarsSoWhite called out a lack of diversity at the Oscars. Has anything changed? Prof. Naila Keleta-Mae and actress Mariah Inger unpack the progress.
Meaningful engagement with diverse writers is still a struggle for the publishing industry.
The release of ‘American Fiction’ presents an opportunity to talk about race, power and white supremacy: What version of Blackness is acceptable or saleable within American culture?
In this episode, Vinita sits down with two experts to break down the many layers — and Black stereotypes — in the much anticipated new film, ‘American Fiction.’
The Unfolding is fiction: a made-up story of American politics. But just like in the real United States, the lines between truth and fantasy in this novel are perilously thin.
Just when you think you’ve had enough of detectives behaving badly, along comes Claire DeWitt. She is, frankly, a beautifully written mess.
The 1996 novel foresaw people’s obsession with video calls – and their eventual disenchantment.
By focusing on African Americans’ experiences of racism in the 1950s, the new series aims to address HP Lovecraft’s racist views.
Catch 22 as seen by George Clooney is just far too good looking.
Top contributors
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Associate Dean (Arts and Humanities), Bucknell University
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PhD in English Literature, University of Sheffield
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Associate Professor of Media, Macquarie University
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Dorothy Killam Fellow, Canada Research Chair, Associate Professor, University of Waterloo
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Professor of English, Institute for Humanities and Social Sciences, ACU, Australian Catholic University
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Doctoral Student, The University of Melbourne; Macquarie University; University of Cambridge
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PhD Candidate in Contemporary Literature and Sound Studies, University of Leeds
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Actor, Director, Chair of ACTRA National’s Diversity, Equity, Inclusion & Belonging Committee
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Adjunct Senior Fellow, School of Global, Urban and Social Studies, RMIT University
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Professor, Departments of English Langauge and Literature & Communication Arts, University of Waterloo
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Lecturer, Creative Writing, RMIT University
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Lecturer in Literary Studies, Monash University
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Lecturer in Writing, The University of Queensland
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Associate Professor in Twentieth-Century American Literature, University of Birmingham
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Professor of Modern Literature, University of Sheffield