AI performers finding success are not disrupting the conventions of their genres, which may be why audiences have been more willing to accept them.
Articles on AI music
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The new deal might seem like a ‘win’ for artists at face value. But how it actually benefits them remains unclear.
If a machine creates a video or a song that brings a person to tears, does it matter that the machine felt nothing?
My experience taught me there is a way to embrace AI’s capabilities without losing the human touch in music.
We didn’t stop climbing mountains when chair lifts were invented. Similarly, there will always be something uniquely special and valuable about human music-making.
With the click of a button, you can now generate songs in any topic and genre you want. But it’s not clear-cut whether you own the music, despite what the app terms say.
From majors to indies to artists, the industry is in the unusual position of facing a common enemy.
Google is one of a number of companies getting involved in AI music-generation.
AI and human musical collaborations have been around since the 60s, but for the first time, we are hearing AI “pop” music: can AI actually create creative and emotionally engaging music?
Top contributors
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Associate Professor, UNSW
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Lecturer in Digital Media, University of Stirling
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Postdoctoral Research Fellow in Music Therapy, The University of Melbourne
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Associate Lecturer in Music Technology, University of Sydney
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Senior Lecturer in Law, University of New England
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Professor, Faculty of Law, UNSW
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Associate Professor of Business Analytics and Information Systems, Quinnipiac University
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Reader in Intellectual Property Law, Brunel University of London