• Chair Professor of Architecture, UNSW
The opera house is raised on a terraced platform, away from the shore like an island amphitheatre. Terence Wong from www.shutterstock.com

Why the Sydney Opera House is a little overcooked

Construction should have stopped once the roofs were erected. Any citizen could then have walked up to the terraced amphitheatre, sat down and gazed back at the country from this shrine to the nation.
Performers march along the Great Wall of China in 2008. David Gray/Reuters

Dear Mr Trump: here’s how you build a wall

Donald Trump, if he takes the US presidency, will immediately start building a wall between Mexico and the US. What lessons can he take from that celebrated wall-builder, Chairman Mao?
Renaissance master Andrea Palladio designed Villa La Rotonda with rooms of various characters, which at night served as viewing boxes for fireworks displays in the surrounding landscape. Bogna/Wikimedia Commons

Friday essay: why a building and its rooms should have a human character

Might we enjoy our homes more if their rooms were characterised by their sense of loftiness or intimacy or cheerfulness or melancholy rather than lifeless labels such as ‘media room’ or ‘home office’?
From its earliest days, the influx of outsiders created the distinctive urban character that has driven the development of Shanghai into a modern metropolis. Wenjie, Zhang/flickr

Shanghai, a modern metropolis born of a refugee crisis

From its earliest days as a haven for refugees, Shanghai developed a distinctive character and urban identity that have driven its emergence as one of the world’s great metropolises.
The freedom of the space outside can be a seductive distraction. from www.shutterstock.com.au

Why the million‑dollar view is bad for our body and our soul

Had the Romans, Chinese and English of old seen our buildings, built around views that distract from the interior and our interior lives, they would not have been surprised by modern discontent.

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