Un vitrail du XVIIᵉ siècle représentant saint Augustin. Tobias Müller, 1622. Michel M. Raguin / Princeton University Art Museum, Princeton NJ, U.S.

Que révèlent la devise et les armoiries du pape Léon XIV ?

En choisissant les symboles de saint Augustin, le nouveau pape affirme son attachement à l’unité et à l’humilité, deux thèmes que l’art de la Renaissance a souvent associés au fondateur de son ordre.
« Le Semeur au soleil couchant », de Vincent van Gogh. Vincent van Gogh/ Kröller-Müller Museum via Wikimedia Commons

Ce que « Le Semeur », tableau lumineux de Van Gogh, révèle du message de Léon XIV

Lors de sa première audience générale, le pape Léon XIV avait évoqué « Le Semeur au soleil couchant » de Van Gogh comme un symbole d’espérance. Ce tableau, inspiré d’une parabole biblique, éclaire aussi l’importance qu’il accorde à la dignité du travail.
A 17th-century stained glass image of St. Augustine. Artist Tobias Müller, 1622. Michel M. Raguin, with the permission of the Princeton University Art Museum, Princeton NJ, U.S.

What Pope Leo XIV’s coat of arms and motto reveal about his dedication to the ideals of St. Augustine − an art historian explains

In choosing his motto and coat of arms, Leo references the Order of St. Augustine, to which he belongs. He uses the identifying symbol of Augustine, a heart pierced by an arrow.
The Vatican introduces Luce at the Lucca Comics and Game convention in 2024. https://www.youtube.com/watch?v=uKiGMGkc0xk screenshot via Wikimedia.com

Luce, a cartoon mascot for Catholic Church’s 2025 Jubilee, appeals to a younger generation while embracing time‑honored traditions

Luce carries symbols that have been associated with pilgrimage in Europe since the 12th century, particularly with the shrine of St. James in northwestern Spain.
Logo of the Catholic Church’s Holy Year of Mercy, 2015-2016, which was created by Marko Rupnik, atop a monument in Poland. Aw5 via Wikimedia CommonsMarko Rupnik/ Pontifical Council for Promoting New Evangelization

Catholics are debating whether to remove paintings by a priest accused of abusing women − but let’s not confuse the artist and the art, writes an art historian

Marko Rupnik’s art is on display in many churches. Should his paintings be removed in light of recent allegations?

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