Troy-Anthony Baylis

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Aboriginal Mimi ‘trickster’ spirits are genderless. Making Camp at 'Forest, Cunningham's Gap, 1856', 2009, pigmented inks on 310gsm Huhnemuble German Etching Paper, edition of 5, 29.5 x 42 cm (paper size). Courtesy of the artist, Troy-Anthony Baylis

The art of seeing Aboriginal Australia’s queer potential

Troy-Anthony Baylis, University of South Australia

Since European contact Aboriginal people, such as myself, have been constructed as “straight”. This cultural default has contributed to the difficulty of proving so-called “real accounts” of sexual and…

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