Installation view of French Impressionism from the Museum of Fine Arts, Boston on display from June 6 to October 5, at NGV International, Melbourne. Photo: Sean Fennessy

‘There are too many unpleasant things in life without creating more’: why Impressionism is the world’s favourite art movement

French Impressionism from the Museum of Fine Arts, Boston, at the National Gallery of Victoria, features over a 100 of these pleasant, cheerful and pretty paintings.
Marguerite Mahood, Feline design, 1930s colour linocut, with hand-colouring 36.0 × 22.5 cm (image and block). National Gallery of Victoria, Melbourne Gift of Andrée Fay Harkness through the Australian Government’s Cultural Gifts Program, 2020 © MTH Mahood

Cats and dogs shaped our world – and art: the NGV gives us the definitive exhibition

The new exhibition at the National Gallery of Australia is raining cats and dogs, presented with respect, sometimes with humour and occasionally with reverence.
Paul Gauguin Three Tahitians (Trois tahitiens) 1899 oil on canvas 73 × 94 cm National Galleries of Scotland, Edinburgh. Presented by Sir Alexander Maitland in memory of his wife Rosalind 1960, NG 222.

Paul Gauguin was a violent paedophile. Should the National Gallery of Australia be staging a major exhibition of his work?

Should a public art gallery exhibit his work, highlighting the fact he was a seriously flawed human being? Or is this to quietly condone domestic violence and paedophilia? I do not know the answer.
Installation view of the 2024 Melbourne Winter Masterpieces® Pharaoh, a collaboration between the British Museum and the NGV, on display from June 14 – October 6 2024 at NGV International, Melbourne. Photo: Sean Fennessy

Pharaoh at the NGV is the greatest exhibition of ancient Egyptian art ever seen in Australia

Many exhibitions of ancient Egyptian art have been held in Australia. Pharaoh, at the National Gallery of Victoria, is outstanding for its scope, scale and presentation.
Vasily Kandinsky, Painting with white border, May 1913. Oil on canvas, 140.3 x 200.3 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, by gift, photo courtesy Solomon R. Guggenheim Foundation.

Kandinsky at the Art Gallery of New South Wales: a precious gem of a show celebrating the transformative power of art

Vasily Kandinsky (1866-1944) was a pioneer of abstract art. His paintings have not aged and appear contemporary and relevant to us now.
Installation view of Patrick Pound’s People who look dead but (probably) aren’t 2011–2014 on display in Photography: Real & Imagined at The Ian Potter Centre: NGV Australia from October 13 2023 – February 4 2024. Photo: Lillie Thompson.

Photography: Real and Imagined at the NGV – a huge and dazzling exhibition that reexamines our thinking

Photography: Real and Imagined at the National Gallery of Victoria can be interpreted as an attempt to make sense of photography’s history.
Michael Zavros, Australia b.1974, Bad dad 2013. Oil on canvas, 110 x 150cm. Purchased 2016 with funds raised through the Queensland Art Gallery | Gallery of Modern Art Foundation Appeal. Collection: Queensland Art Gallery | Gallery of Modern Art. © Michael Zavros

Nothing is left to chance and every detail is carefully calculated: the hyperrealistic (and divisive) paintings of Michael Zavros

A new exhibition of the Australian artist’s work at QAGOMA is the first comprehensive survey of Michael Zavros in a state gallery.
Installation view of Troy Emery’s work Mountain climber 2022 on display as part of the Melbourne Now exhibition at The Ian Potter Centre: NGV Australia, Melbourne from 24 March – 20 August 2023. Image: Tom Ross

Melbourne Now: a vast, sprawling and inspiring exhibition that seems to burst out of its architectural framework

Conceived as a snapshot of visual culture in Melbourne and Victoria, this exhibition is challenging, visually exciting and memorable.
Fred Williams Australia 1927-82, worked in England 1952-56. Elephant 1953 cont é crayon 25.2 x 31.8 cm (sheet) National Gallery of Victoria, Melbourne Presented by the Art Foundation of Victoria by Mrs Lyn Williams, Founder Benefactor, 1988 © Estate of Fred Williams

Fred Williams is known for his landscapes. But his drawings are little pockets of explosive expressive energy

Studying in London, the young artist examined the human figure, animals in the zoo and the rich cross-section of theatre life and of life on the streets.
Pablo Picasso, Spanish 1881–1973. Figures by the sea (Figures au bord de la mer) 12 January 193, oil on canvas 130.0 x 195.0 cm. Musée national Picasso-Paris Donated in lieu of tax, 1979 © Succession Picasso/Copyright Agency, 2022 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

Pablo Picasso was not a lone genius creator – he was at the centre of several creative hubs, and changed the course of western art

The Picasso Century at the National Gallery of Victoria is a remarkable exhibition that may change the way you will view Picasso.
Johan Joseph Zoffany. David with the head of Goliath 1756. Oil on canvas 92.2 × 74.7 cm. National Gallery of Victoria, Melbourne. Purchased with the assistance of the Isabella Mary Curnick Bequest and The Art Foundation of Victoria, 1994 National Gallery of Victoria, Melbourne

‘This show exceeds the hype’: NGV’s Queer advances a beautiful and challenging reading of the queer gaze in art

The ‘queer gaze’ is presenting a new and alternative reading for art of the past and of the present.
Camille Pissarro, French (born in the Danish West Indies) 1830–1903. Spring pasture, 1889. Oil on canvas, 60.0 x 73.7 cm. Museum of Fine Arts, Boston Deposited by the Trustees of the White Fund, Lawrence, Massachusetts Photography © Museum of Fine Arts, Boston. All Rights Reserved

An orgy of sunlight, colour and hedonism: the French Impressionists are an oasis in a gloomy Australia

The Museum of Fine Arts, Boston is the 14th largest gallery in the world, and now Melbourne can see some of its masterpieces.

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