Across this year’s festival, a variety of shows demonstrated some Australian audiences are ready for uncomfortable comedy and complex personae.
- Senior Lecturer, English and Theatre Studies, The University of Melbourne
Nat Randall and Anna Breckon’s Set Piece explores female intimacy through the relationship between screen and stage.
This new production from Alison Croggon and The Rabble asks us to consider how women’s voices are ignored, and makes us listen across time.
Samuel Beckett wrote Watt while hiding from the Gestapo during the second world war. It describes Watt’s journey to, within, and away from Mr Knott’s house, where Watt lives for some time as a servant.
Taylor Mac’s 90-minute version of a 24-hour history of pop music is a hit, determined to forge a renewed sense community with the audience.
The Book of Exodus is a provocative work that sees children retelling the biblical tale.
We all store parts of our memory outside of our head: in our phones, our computers and our friends. In 887, Robert Lepage brings his memory to life in a gloriously intricate one-man production.
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