A new show by indie performer Mish Grigor, with Aphids Theatre, explores all the exit opportunities that are available to us - and some doors that are better left closed.
- Researcher, The Australian Centre, The University of Melbourne
20 years on from Who’s Afraid of the Working Class? In Anthem, the Melbourne public transportation system behaves as a microcosm of larger political tensions and anxieties.
A new production of Cloudstreet - the play adapted from Tim Winton’s literary epic - is visually arresting. But despite a diverse cast, Indigenous characters remain spectral and peripheral.
One of Australia’s most prominent playwrights has reimagined the infamous encounter between Hollywood icon Mae West and photographer Diane Arbus.
This production, a collaboration with local theatre artists, stages a public debate hosted by the (made up) Melbourne Trust Forum. It unfolds as part media reportage and part gameshow.
A pared-down, humorous and intimate monologue, this production explores the human dimension of a political movement. It is a challenge to tacit silence and collective amnesia in Australia also.
A successful adaption of Lars von Trier’s film Melancholia breathes new life and energy into its female characters.
A theatre production of Mark Haddon’s much-loved novel is affirmative and at times deeply sentimental, with a hi-tech set, and exacting choreography.
Caravan tells the tale of a mother and daughter who live in a caravan. Staged in the Malthouse Theatre’s forecourt, it is a sweet look at class and gender.
Big Heart at Theatreworks questions Australia’s generosity through the tale of a woman who adopts a child from five continents.
‘Well behaved women seldom make history,’ wrote historian Laurel Thatcher Ulrich, and Revolt. She said. Revolt again. at Melbourne’s Malthouse Theatre takes the idea to its apocalyptic extremes.
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