Women face serious barriers to reaching the upper echelons of classical composing and conducting. Nicki Mannix

The sound of silence: why aren’t Australia’s female composers being heard?

The rate of female composers working in Australia hasn’t risen in seven years. At one leading ensemble, 41 of 47 composers commissioned have been men. What’s going wrong, and how can it be fixed?
It is the landscape of the interior that is most strongly associated with Sculthorpe’s music. 'Two movements - Peter Sculthorpe', a portrait by Danelle Bergstrom, 2008 Archibald Prize. AAP/ Supplied

Sculthorpe shaped composers with a connection to this land

Australia’s most distinguished composer Peter Sculthorpe (1929-2014) has left a magnificent legacy – his music. Sculthorpe pioneered a uniquely Australian sound. The distinctiveness of his music emerges…
Carmen’s rhythms set her body in perpetual motion – contagious and seductive. Nancy Fabiola Herrera as Carmen & the Opera Australia Chorus, photo: Branco Gaica

Bizet’s femme fatale: Carmen and the music of seduction

The fictional character of Carmen – the heroine of Bizet’s opera – attracts a range of labels which variously position her as seductress, femme fatale, sex addict, fate/ death obsessed, victim, liberated…
Under the baton of Valery Gergiev. Rotterdams Philharmonisch Orkest

Explainer: what is conducting?

Conducting is essentially a phenomenon associated with Western classical music. As a rule, rock and jazz bands do not employ a conductor unless they are teaming up with a symphony orchestra. Conductors…
Not everyone can be a superstar – and very few can truly innovate. Mait Jüriado

Music is the loser in the quest for ‘innovation’

Innovation is much sought after in music – by musicians, often, by the federal government, increasingly. But could the pursuit of the slightly nebulous-sounding “innovation” be driving music in the wrong…
One in four composers are female, but you wouldn’t guess that by listening to the radio. Image from shutterstock.com

Off key: women composers get a raw deal on play rates

Women make up 25% of the Australian composing population but still get a raw deal when it comes to having their music performed. Emma Ayres, presenter of the breakfast show on Classic FM, recently wrote…

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