People often struggle to distinguish between real faces and artificial ones made by a computer.
- Professor of Psychology, Director of the Centre for the Politics of Feelings, Royal Holloway, University of London
To think about the ways in which images engage audiences, we can consider Europe’s response to two major refugee crises.
Images of individual refugees are rare in media, but are less likely to make viewers dehumanise them.
In 1959, John Howard Griffin, a white American writer, underwent medical treatments to change his skin appearance and present himself as a black man. He then traveled through the segregated US south to…
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