Rome’s Trevi fountain lit up with the Belgian flag. Why do some violent acts prompt global artistic memorial, but not others? Stefano Rellandini/Reuters

Art and terror: a new kind of memorial

From Tintin weeping to spotlit buildings, images are rapidly circulating on social media as a way of comprehending the Brussels bombings. But where was the cartoon for those who died in Ankara? Are some tragedies “ungrievable”?
Art demonstrated it still has the power to inspire, and maybe even change the world. A man carries a self-portrait painted by Australian death row prisoner Myuran Sukumaran. Beawiharta

What 2015 looked like in visual art

There are as many ways to summarise a “year in art” as there are eyes to look at art with. Art had some shining – and not-so-shining – moments in 2015.
Why is this seemingly unintelligible mess of house paint revered as a masterpiece? Detail: Jackson Pollock. Blue poles. 1952. © Pollock-Krasner Foundation/ARS

Here’s looking at: Blue poles by Jackson Pollock

Gough Whitlam’s government paid $A1.3 million for Jackson Pollock’s Blue poles in 1973. But why exactly is this ‘seemingly unintelligible mess of house paint’ revered as a masterpiece?
Thousands of people will throng Sydney’s streets for Vivid 2015, which opens this weekend.

Vivid Sydney: contemporary art – or just a bright night out?

Vivid Sydney draws larger crowds each year and when it opens this weekend, the streets will be packed. Are events like Vivid Sydney and Paris’ Nuit Blanche artistically valuable – or just a lot of fun?
A major retrospective of the work of On Kawara is on display at the Guggenheim Museum in New York City. On Kawara, JUN 10 1975. From I Got Up, 1968–79. Stamped ink on postcard, 3 ½ x 5 ½ inches (8.9x4 cm). Collection of Keiji and Sawako Usami. Guggenheim

On Kawara – Silence, at the Guggenheim, reviewed

Japanese artist On Kawara worked closely with the Guggenheim Museum on a major retrospective of his work – the fact he died just before it opened lends even greater poignancy to his art.
Gladwell’s work will be displayed at the art school where he earned his Masters degree and the gallery where he was first represented. Untitled – Murramarang Plank, 2014. Photo: Lucille Gladwell

Shaun Gladwell is returning to Sydney, and may not shed tears

With two exhibitions opening in Sydney this week, Shaun Gladwell is returning home, with a star still in the ascendant.
The Image as Burden: this painting gives the Marlene Dumas retrospective currently on display at the Tate Modern its name. Marlene Dumas, The Image as Burden (1993). Private collection, Belgium. © Marlene Dumas. Photo: Peter Cox. Tate Modern

‘You start with the image’: Marlene Dumas at the Tate Modern

Marlene Dumas, South African-born Amsterdam-based artist, is perhaps one of the most significant practising contemporary painters. And, according to the curators of The Image as Burden at the Tate Modern…
American artist Sarah Sze’s latest exhibition demonstrates once more her acute spatial sensibility. (Model Series, 2015.) Victoria Miro Galleries

Review: Activating space, a little – Sarah Sze in London

The latest exhibition by New York artist Sarah Sze, across two sites of the Victoria Miro Gallery, is her first solo show in London after representing the United States at the 2013 Venice Biennale. But…
Artist Ben Quilty at last night’s I Stand For Mercy vigil for Myuran Sukumaran and Andrew Chan. AAP Image/Dan Himbrechts

Why is Ben Quilty supporting two convicted drug smugglers?

The prospect of the execution of Andrew Chan and Myuran Sukumaran has polarised Australians. While some argue the young men should suffer the consequeneces of importing heroin, others take a different…
You’re in a gallery looking at Dani Marti’s It’s All About Peter. What do you do next? Photo: Jamie North. Image courtesy of the artist and BREENSPACE, Sydney.

Three simple steps to understand art: look, see, think

What’s the key to understanding art? Could there be some easy steps to unpacking the meaning of an artwork? The short answer is: yes. I recently wrote an article for The Conversation called Three questions…
Primavera 2014 displays many wonderful works by 13 young artists – but the hand of the curator is distracting. Lucienne Rickard, Some Old Waste 2014, 112 x 140 cm, graphite on drafting film, Image courtesy MCA and © the artist.

It’s too hard to love Primavera 2014 at Sydney’s MCA

Primavera is the Italian word for springtime, and each spring since 1992 the Museum of Contemporary Art in Sydney has a curated selection of emerging artists under 35 years old – in the springtime of their…
One of the works on show at Manifesta 10: Francis Alÿs, Study for the Lada “Kopeika” Project. Brussels—St. Petersburg, 2014. (Courtesy of the artist and David Zwirner Gallery. Commissioned by MANIFESTA 10, St. Petersburg. With the support of the Flemish authorities. Installation view MANIFESTA 10, General Staff Building, State Hermitage Museum.) Manifesta

A Manifesta without a manifesto: contemporary art in St Petersburg

Manifesta is a nomadic European biennial exhibition of contemporary art that sets up camp in a different European city every two years. In 2012, Manifesta 9 was held in Limburg, Belgium, and considered…
At his current exhibition at Galerie Perrotin, Wim Delvoye’s works continue to vex ready classification. Photo: Claire Dorn. Courtesy Galerie Perrotin

Wim Delvoye’s astonishing art shows what’s lurking in the banal

When Belgian artist Wim Delvoye broke onto the international scene back in the 1990s, he was one of those artists (like Sigmar Polke before him) that critics found difficult to pigeonhole. His works ranged…
Cullen possessed a natural likeability, even an awkward politeness. AAP Image/Paul Miller

Review: The Life and Death of Adam Cullen by Erik Jensen

Adam Cullen, Australian artist and winner of the 2000 Archibald Prize, died just over two years ago at the age of 46. He spent the last three years of his life working with a young writer, Erik Jensen…
Could a child have painted Picasso’s Seated Woman? That’s the wrong kind of question to ask of art. EPA/ANDY RAIN

Three questions not to ask about art – and four to ask instead

Art raises a lot of questions. That’s what it does. If an art work in a gallery or a news story has made you ask “what the …?”, it has already started to do its job. But for many who are not familiar with…
BPOV MEAO (Behind Point of View, Middle East Area of Operations), printed in Canberra, edition 1/1, 2009–10, digital colour photograph, inkjet on paper, 111.8 x 80.3 cm. Australian War Memorial

Two artists go to war – Shaun Gladwell and Ben Quilty

Shaun Gladwell and Ben Quilty – two of Australia’s leading artists – display very different approaches to war at parallel exhibitions opening at Perth’s John Curtin Gallery on Saturday. Gladwell is Australia’s…
Jeff Koons, Tulips, 1995 – 98. Oil on canvas; 111 3⁄8 x 131 in. (282.9 x 332.7cm). Private collection. © Jeff Koons. Whitney Museum of American Art

Jeff Koons – a spectacle on the way to respectable

American Jeff Koons is possibly the most contentious living artist. His current retrospective at the Whitney Museum in New York writes him into the contemporary canon of great living artists – but even…
A solo show at the Saatchi means an artist has already entered orbit. Pelham Communications and Prudential Eye Awards

Ben Quilty at the Saatchi Gallery … things just got interesting

Ben Quilty is the first Australian artist to hold a solo show at the Saatchi Gallery in London. Opening last Friday and running until August 3, the exhibition is a big deal for Quilty, naturally, but also…

Contact Kit for

  • General
  • Media request
  • Speaking request
  • Consulting / Advising
  • Research collaboration
  • Research supervision
  • Location: Perth, Australia
  • Website
  • Article Feed
  • ORCID
  • Joined