Kayla Besse

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Erin Ball performs at Cripping the Arts at Harbourfront Centre in Toronto, in January 2019. She balances with her hands on the arms of an old wheelchair. Behind her, two long pegs extend from her prosthetic legs. (Michelle Peek Photography for ReVision)

How a radical form of accessibility is pushing the boundaries of theatre performance

Carla Rice, University of Guelph and Kayla Besse, University of Guelph

Rustle your program without getting a glare at a relaxed performance — an art form in synch with the growing field of disability arts.

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