In Steve Rodgers’ new play, now at Malthouse, solid performances are undermined by expository writing.
- Senior Lecturer in Art and Performance, Deakin University
This new Melbourne Theatre Company Production of Chekhov’s classic is adapted by Joanna Murray-Smith and directed by Anne-Louise Sarks.
Commissioned by ACMI, Back to Back’s latest offering is a screen project that reenacts a section of Shakespeare’s Henry V.
In an era of heated debate about transparency and fake news, Malthouse Theatre’s Truth is a vital and edgy work from Patricia Cornelius and Susie Dee.
Freedom and feminism take the stage in the Melbourne Theatre Company’s musical revival of My Brilliant Career.
The second year of the Melbourne festival delivered talent and creativity in spades – leaving me disrupted, enlivened and uplifted.
The audience at opening night seemed appreciative and engaged in the story. Yet somehow I felt unsatisfied with various aspects.
Through a nuanced exploration of place, time, and memory, this new video work invites audiences to reflect on landscape and its relationship to the echoes of conflict.
Archiving the Ephemeral, brings five works by performance artist Leisa Shelton together in a beautifully curated installation.
Susie Dee directs this dark and spare new play by Mary Anne Butler for Red Stitch.
Fragmented scenes shift backwards and forwards through time to build an absorbing picture of the circle of artists who gathered around the Reeds.
Melbourne Theatre Company’s Laurinda is a smart re-framing of Alice Pung’s classic coming-of-age novel.
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