Karina Vamling

1

Article

1

Comment
Begos’ Friends by Georgian painter Niko Pirosmani, painted in the 1910s. At a keipi or festive supra, the tamada holds a kantsi (horn) and introduces a toast. Wikiuka/Wikimedia

I was in Georgia in the late 1980s: I observed how tradition survived harsh Sovietisation and rapid transformation

Karina Vamling, Malmö University

With the dissolution of the Soviet Union came rapid societal shifts. In Georgia, people called for the end of the Russification of their country and their culture.

Contact Karina for

  • General
  • Media request
  • Speaking request
  • Consulting / Advising
  • Research collaboration
  • Research supervision