Karen Fournier's principal area of research, the role played by women in the British punk movement during its foundation in the mid-1970s, is the focus of her book “Punk and Disorderly: Acting Out Gender in Class in Early British Punk” (Bloomsbury 2026). The study engages with such British bands as Siouxsie and the Banshees, the Slits, X-Ray Spex, the Adverts, and Delta 5, and examines how female punks challenged and redefined conventional gender stereotypes in popular culture. She has also published essays on other aspects of British and American punk in various edited collections.

Fournier’s first book, “The Words And Music of Alanis Morissette” (Bloomsbury/Praeger 2015), explores similar issues surrounding societal expectations of, and limits placed upon, female behaviour. Among other things, the book argues that the anger and aggression that marks Morissette's 1995 breakthrough album, Jagged Little Pill, traces a direct lineage to the "hysteria" parodied in the performances of many late-1970s female punks.

Experience

  • –present
    Associate Professor of Music Theory, University of Michigan

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