Respected painter and teacher Janenne Eaton has influenced generations of Australian artists.
- Senior Industry Fellow, RMIT University
Inspired by art history and collections in museums, So has drawn on the visual language of figurative vessels and objects from Assyria, Egypt, Iran, Latin America and China.
WORD MADE FLESH at the Australian Centre for Contemporary Art is a comprehensive survey of this singular artist’s work.
Waanyi woman Judy Watson and second-generation Anglo immigrant Helen Johnson both use archival materials to explore Australia’s violent history.
Their modernist interpretations of Australia in the interwar period have both a complexity and a simplicity.
This new exhibition at the Heide Museum of Modern Art traces the themes of Nolan’s expansive and prolific career.
Vivienne Binns burst on to the art scene in 1967 – and she has been making art her own way ever since.
Visual arts and performance have always been central to protest movements - but the unified branding of Extinction Rebellion shows a new approach to activism.
This major exhibition examines Tasmania’s overlooked history of dispossession and frontier war.
Mona’s new subterranean extension adds a compelling dimension to the art of Dark Mofo 2019. Upstairs, a series of interactive sculptures contemplates our automated future.
Through animation, video, light and sound, Theatre is Lying exposes how visual art, performance and theatrical devices can interrogate what is real and what is not.
A new Science Gallery Melbourne exhibition offers a set of reflections, calculations and speculations that engage with ideas about the perfect body, mathematical precision, quantum physics and a post-human world.
In a Journey to Freedom, 13 artists give expression to the experience of imprisonment. In Zero, artists are seeking to escape the past.
Philanthropists are creating new galleries to share their private collections with the Australian public. But these gifts do not ameliorate the deficit left by declining government arts fundings.
A collaborative Melbourne exhibition traces the concerns of women since the 1970s.
Gender bias is an ongoing problem in the visual arts. Change is needed at every level to tackle it.
We constantly use electronic devices to distract ourselves from the tedium associated with waiting. Yet being bored can be a creative activity.
It all began with a muselet – the wire cage that holds a champagne cork in place. Flattened on the footpath, its complex pattern caught my eye. I began noticing others, and realised that every squashed…
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