Jul Parke

(she/they)
Une image composite montrant Elon Musk (au centre), encadré à gauche par Ani, une nouvelle « “compagne” virtuelle de sa plateforme xAI, et à droite par Misa Amane, un personnage de l’anime japonais Death Note. (-r: Grok, La Presse canadienne/Matt Rourke, Death Note)

Le nouveau compagnon IA de Grok 4 brouille la frontière entre travail et fantasme

Les nouveaux compagnons IA de Grok 4 suscitent des inquiétudes quant à l’impact des amis virtuels sur les relations sociales réelles et l’exploitation des données personnelles.
A composite image showing Elon Musk (centre) flanked by an image of Ani (left), a new virtual ‘companion’ available on his xAI platform, and an image of Misa Amane (right), a character from the Japanese anime ‘Death Note.’ (l-r: Grok, THE CANADIAN PRESS/Matt Rourke, Death Note)

Grok 4’s new AI companion offers up ‘pornographic productivity’

Grok 4’s new AI companions raise concerns about virtual friends disrupting real social relationships, anti-feminist rhetoric and the exploitation of personal data.
British fashion model Alexsandrah poses with an AI-generated image of her in London last year. The use of computer-generated supermodels has complicated implications for labour, diversity and ethics. (AP Photo/Kirsty Wigglesworth)

Fake models for fast fashion? What AI clones mean for our jobs — and our identities

As digital replicas of real people become more common in image-based industries like fashion, urgent questions are emerging about the future of work in the cultural economy.
This collage shows (left to right) Shudu, Miquela Sousa, imma, and Rozy – four “vritual influencers” who collectively have over 3 million followers on Instagram alone. @shudu.gram, @lilmiquela, @imma.gram, @rozy.gram/Instagram

AI‑generated influencers: A new wave of cultural exploitation

Although many popular “virtual influencers” appear to be young, women of color – they are often created by men at marketing agencies, raising questions about authenticity online.

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