Si deux films portant sur les échecs de la politique de la gauche états-unienne des années 1960 et 1970 ont émergé au même moment du retour en force de Trump, ce n’est pas par hasard.
- Teaching Associate in Media and Cultural Studies, University of Nottingham
It seems apt then that two films concerned with the failures of leftwing revolutionary politics should emerge almost simultaneously with Donald Trump’s resurgence.
Disney is in the business of making money, not scoring political points. But it can’t afford to alienate its subscribers.
A sinister and slow-building sense of dread ensures Nic Roeg’s supernatural horror lingers in the mind long after the credits have rolled.
A new book explores the enormous Alien franchise spawned by the 1979 film.
A century after his birth, John F Kennedy’s celebrity shines as brightly as ever.
Trump is a Hollywood comedy blundering around in the ‘real world’ of American politics. Hollywood drama can show us what is needed instead.
The world is simply a much scarier and more uncertain place than it was in 1996. How does the new Independence Day film deal with this?
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