Maybe we love Neil because we’re jealous of his freedom
- Lecturer, Media, University of Tasmania
The film is a portrait of a highly dysfunctional family fighting over generational wealth – a familiar story for many.
Director Paul Goldman’s film could have shone a new light on the more difficult aspects of Australian masculinity. Sadly, it ends up feeling contrived.
Like with most things in life, the use of technology to capture nature comes with pros and cons. How might our phone lens’ be impacting our relationship with the natural world?
It seems to me no coincidence that in Australian popular culture our founding colony is usually the site of major onscreen attacks. Might this speak of cultural guilt and repressed truths?
George Miller’s Mad Max films have aged remarkably well – perhaps because they have had such a profound influence on the films that followed them.
This Monday on the Australia Day public holiday, Triple J’s annual Hottest 100 for 2014 will be announced live across the afternoon and evening. While the countdown is usually the ABC radio station’s highest…
There’s a trend you might have noticed emerging in an array of Australian popular cultural forms at the moment. It announces the return of locally-grown pride: albeit one taken through the route of irony…
Ouch. I think my entire body physically cringed when I came across the latest story of a misjudged tweet gone viral this week: the case of Breanna Mitchell, the naïve teenager and self-styled “Princess…
Rolf de Heer’s new film Charlie’s Country, which opened yesterday, examines the day-to-day experiences of an older man in Arnhem Land as he struggles for independence and respect in his home town. The…
In the new film Wolf Creek 2, the menacing outback serial killer Mick Taylor asks his unsuspecting tourist prey, “what the bloody hell are you buggers doing out here?” This phrase could equally be used…
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