• Associate Professor at UNSW Art & Design, UNSW
Barthélémy Toguo, The Generous Water Giant, 2022. Courtesy Bandjoun Station & Galerie Lelong & Co. Installation view, 23rd Biennale of Sydney, rīvus, 2022, Museum of Contemporary Art Australia. Phot ography: Document Photography.

‘Rich with wonder’: the 2022 Sydney Biennale finds connection and relevance in troubled times

The aesthetically captivating 23rd edition of the biennale shows how art can contribute to debates around environmental sustainability.
Fiona Hall ‘EXODUST’, 2021, burnt tree, rope, iron bell, LED lighting, eucalyptus sapling, birds’ nests, water-based oil. on burnt book, water-based oil on burnt fabric, installation dimensions variable Courtesy the artist and Roslyn Oxley9 Gallery, Sydney © the artist Photo: AGNSW, Felicity Jenkins

Despair and hope; anger and optimism: The National 2021 highlights care in Australian art

This third, and possibly final, biennial shows artists are deeply embedded in the politics of today.
One of the artworks made as part of a project where Australians are sending artistic representations of the bird to politicians to protest the Adani mine, which threatens the bird’s habitat. Robyn Rich

Protest art: rallying cry or elegy for the black‑throated finch?

Australian artists are protesting the Adani mine’s potential impact on the black-throated finch. The project is gaining traction online, but in this case, emotive art might not be enough.
One of the most powerful images at this year’s Venice Biennale is Christoph Büchel’s. Barca Nostra, 2018-2019, Shipwreck 18th of April 2015. La Biennale di Venezia

As we face pressing global issues, the pavilions of Venice Biennale are a 21st century anomaly

Often called the ‘Olympic Games of art’, the Venice Biennale’s national pavilions are an outlier in a globalised world. This year’s strongest works explore global issues like refugees and climate change.

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