Elizabeth Dori Tunstall

Exterior of Light of the World Christian Church in Indianapolis, Indiana, USA. Elizabeth Tunstall

Re‑illuminating the sacred

‘I deeply believe that design will meet its true promise when designers engage in design for the sacred.’
Indian students and Kala Raksha staff performing garba folk dance. Elizabeth Tunstall

Remixing Indian design anthropology

Tuesday was the beginning of Navratri, the nine nights Hindu religious festival that celebrates the Mother Goddess Durga in her nine avatars. In the Indian state of Gujarat, the festival is celebrated…
Nantong China indigo-dyed cloth shoes and calico cloth. Elizabeth Tunstall

Undying: the life and death of an indigo cloth

The Nantongese Granny was angry. She believed her grandson was bringing a potential bride, not a group of researchers, to see her collection of indigo-dyed fabrics. Her sons and daughters laid out her…

Re‑Designing the Conference

I recently concluded the Americas Cultures-Based Innovation (CBI) Symposium, co-hosted by the Banff Centre in Calgary, Canada. Being the third time that I have co-organised a CBI Symposium, I now know…
Weavings from Indigenous bush dyeing and weaving workshops. Elizabeth Tunstall

Be rooted: learning from Aboriginal dyeing and weaving

Being rooted is different from being connected or even grounded. As we know from our mobile phones, connectivity can be fleeting. Grounding is only at surface layers. Being rooted goes as deep in the earth as above in the sky, providing greater stability.
Growth as cancel cells. National Cancer Institute, modified by Elizabeth Tunstall"

Degrowth: Japan models design for steady state economies

The Cool Japan program models how a new approach to the design industry might work in the degrowth economy. To paraphrase designer and engineer Buckminster Fuller, the best way to predict the future is to design it.
Menstrual art with raspberry syrup. Elizabeth Tunstall

Re‑doing the cycle: menstrual power protests and design

The only approach that you don’t find used in menstrual power protests is the use of menstrual blood as a love charm. Perhaps that’s because it taps into the deepest fears of people, especially of heterosexual men, of being entrapped by the power of women’s fertility.
There’s a difference between technologies that seek to augment versus those that seek to replicate or replace human processes. Kārlis Dambrāns

Un‑doing awareness: do smart watches make dumb humans?

I think I have successfully talked my partner out of getting an Apple Watch. I generally do not interfere with his purchase decisions, but the description of the Apple Watch’s features, or those of any…
BDSM gear at Eros Pyramide shop. Manu2560/Wikimedia

Re‑imagined power: BDSM as Utopian fantasy

The BDSM-themed movie, Fifty Shades of Grey, is the number one movie in Australia. Its success means that a lot of people are titillated by the idea of sex beyond “vanilla sex.” Controversy about BDSM…
Mariaa Randall delivers an impressive performance in HA LF at the Footscray Arts Centre. Photo by Jeff Busby

HA LF’s ‘kooriography’ shines at the Wominjeka Festival

As part of the Footscray Community Arts Centre’s Womenjika Festival this weekend, Mariaa Randall (Githatbul and Gidabul) and the DubaiKungkaMiyalk (DKM) Dance Company’s moving performance HA LF places…

Un‑doing development bloat

Last week, the Development Circle posted on their Facebook page the Boring Development Manifesto. Prepared by The Campaign for Boring Development, it argues that “the real work of development is not glamorous…
Mama Alto performs the songs of Sarah Vaughan at the Melbourne Fringe Festival. Lauren Connely/Flickr

Mama Alto pays homage to Sarah Vaughan at the Melbourne Fringe

In their 2014 Melbourne Fringe Festival performance Mama Alto and her musical director Tiffani Walton pay tribute to Sarah Vaughan, one of the great ladies of American song. Mama Alto charmed her audience…

Please un‑do ‘booty’ pop videos

Dear Music Industrial Complex, Do you mind if I call you Mic? I normally don’t write about pop music, but I am upset. I know that sex sells, but may I make a special request of no more music videos consisting…
Jasmine Togo Brisby’s work is on display at Deadly Nui Art at the Melbourne Fringe Festival. Kimba Thomson/Blak Dot Gallery

Melbourne Fringe review: DNA (Deadly Nui Art) at Blak Dot Gallery

On the wall hang three portraits of contemporary South Pacific Islanders, some with ships and all with duty stamps in the foreground. Skulls of sealed raw sugar glisten on a table. Bitter Sweet is the…

Un‑doing disrespect: women and design

Having recently attended my university’s graduation ceremony, I noted again what seems to have become a global trend — design is becoming a field where the majority of practitioners are women. I have made…

Breaking the vase

Every Thursday, I go to the Prahran Market in Melbourne and buy, among other things, cut flowers. Since moving into a mid-rise apartment from a flat with a garden, I arrange flowers for my dining room…

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