Dr Shanika Ranasinghe

I recently graduated from a part-time PhD (ethnomusicology) in the Department of Music at Royal Holloway, having previously attended Goldsmiths and the University of Oxford.

My PhD thesis examined the extraordinary phenomenon of twenty-first-century ABBA fandom through rich, dialogic ethnography. Asking questions such as who is perpetuating the music and legacy of ABBA – the fans, ABBA, or someone else? – and for what purposes and end goals?; Who do ABBA really belong to – to ABBA, their fans, or some other group? and how have ABBA and their music been appropriated over the years?, the thesis is important to wider anthropological, ethnomusicological and fan studies discourses in its exploration of ABBA fandom as a gift exchange. By looking at how fans give to ABBA (historically and at present) and vice versa, the thesis brings to light the expectations and pressures on both sides, within this dynamic and ever-evolving relationship – which, I argued, is real, mutual and valid, as opposed to pathological or para-social.