‘This biennale seems cursed’, texted my friend. Despite feeling hypocritical about the environmental burden, I booked a flight to Venice.
- Senior Lecturer, Art and Public Engagement, King's College London
This year, much of the art addresses exile, diaspora, migration and colonial violence.
Guston’s complex engagement with racialised evil caused a contentious three-year delay in the exhibition opening.
Abramović is the first woman in the Royal Academy of Arts’ history to have a solo retrospective in its main galleries.
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