Christine Judith Nicholls

mème représentant le personnel médical à l’hôpital de la Pitié-Salpêtrière à Paris. ISNI - Intersyndicale Nationale des Internes, Paris

Humour et Covid‑19 sur les réseaux sociaux : mieux vaut rire que périr ! 

L’humour basé sur la Covid-19 est un moyen efficace de soulager l’anxiété et la peur, de renforcer notre lien social tout en communiquant sa colère vis-à-vis des politiques.
Sabbia Gallery - Alison Milyika Carroll working on a pot at Ernabella Arts ceramic studio, 2017. Photo Ernabella Arts, Courtesy of Sabbia Gallery

All fired up: Clay Stories is a triumphant display of contemporary Indigenous ceramics

Clay Stories, a travelling exhibition, showcases ceramic art from Indigenous artists across the country. It is a triumphant display of specific stories and Dreamings, standing against cultural and political amnesia.
Rosie Tasman Napurrurla, Warlpiri 2002, Ngurlu Jukurrpa (‘Grass Seed; Bush Grain Dreaming’), line etching on Hahnemuhle paper. Warnayaka Art Centre, Lajamanu, and Aboriginal Art Prints Network, Sydney

Jukurrpa‑kurlu Yapa‑kurlangu‑kurlu

The theme of this year’s NAIDOC week is “Our Languages Matter”. Aboriginal languages under threat across Australia. Read a Warlpiri introduction to Dreamtime and The Dreaming.
Rose and Groote Eylandters Nertichunga, Machana and Nabia, Groote Eylandt, 1941. Courtesy of SLNSW, Frederick Rose papers, Box 5

The red professor and the white anting that continues to this day

The book Red Professor: the Cold War Life of Fred Rose tells of a progressive anthropologist who was stymied by non-Indigenous people in powerful positions. Sadly, it’s a narrative that still resonates today.
En-tête des courriers de l’expédition. Auteur inconnu. Estampe sur papier. Muséum d’histoire naturelle, Le Havre

L’art au service de la science : retour sur l’incroyable expédition Baudin (1800‑1804)

Il y a un peu plus de 200 ans, le capitaine français prit le large à la découverte de l’Australie. Avec son équipage composé de scientifiques, il en captura les beautés naturelles.
Captain Nicolas Baudin set out to chart the coast of Australia, gathering incredible specimens and meeting Matthew Flinders along the way. John Ford 2002, Chart the Art of Discovery

Friday essay: the voyage of Nicolas Baudin and ‘art in the service of science’

A little over 200 years ago, the French captain Nicolas Baudin set out to map the uncharted coast of Australia. With a crew of scientists on board a ‘floating laboratory’, they recorded a snapshot of Australia before it was Australia.
Detail of Paddy Japaljarri Sims, Warlpiri, 2003, Yanjirlpiri Jukurrpa (Star Dreaming at Yarripirlangu). Image courtesy of the artist's estate, licensed by Warlukurlangu Artists, Yuendumu.

Friday Essay: land, kinship and ownership of ‘Dreamings’

Who owns a Dreamtime story? The Warlpiri, like all Indigenous groups, use a complex system of kinship that regulates which people can depict, sing, dance or talk about which Dreamings.
Shell Necklace, Displayed at the Great Exhibition, London, 1851. Maireener shell and fibre. Oyster Cove, Tasmania, before 1851 © The Trustees of the British Museum.

Indigenous Australia: Enduring Civilisation is a challenge to review

It hovers uneasily between being a fine-art exhibition showing the diversity and sheer visual and sociocultural potency of contemporary Australian visual art practice, and an older-style ethnographic survey.
Lily Hargreaves Nungarrayi, 2013, Wardilyka Jukurrpa (Bush Turkey, Ardeotis Australis Dreaming) synthetic polymer paint on canvas, 200.0 x 300.0 cm. © the artist, courtesy of Warnayaka Art Centre Lajamanu, and Vivien Anderson Gallery Melbourne

Clever women: three Warlpiri artists, now in Melbourne

This unconventional review of an exhibition, Jinjilngali, Kurlukuku Minpiya, Yirdingali, now on show at the Vivien Anderson Gallery in Melbourne, also constitutes a tribute to three Warlpiri women artists…
Nura Rupert, Australia, c.1933. Pitjantjatjara people, South Australia, Mamu (Spooky spirits) 2006, Ernabella, South Australia, synthetic polymer paint on linen 92x122cm. Ed and Sue Tweddell Fund for South Australian Contemporary Art 2006. Art Gallery of South Australia, Adelaide © Nura Rupert, courtesy of Ernabella Arts

‘Dreamings’ and place – Aboriginal monsters and their meanings

A rich inventory of monstrous figures exists throughout Aboriginal Australia. The specific form that their wickedness takes depends to a considerable extent on their location. In the Australian Central…
From Roman Forum to airport lounge, Roman Tragedies connects three Shakespearean tragedies in the one performance. Tony Lewis/Adelaide Festival

Adelaide Festival 2014 review: Roman Tragedies

Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar and Antony and Cleopatra – are connected in an immensely ambitious production, Toneelgroep Amsterdam’s Roman Tragedies. Under Ivo…
Greg Johns, 2009, Horizon Figure, Corten steel, ironstone, 210 x 427 x 6cm (h x w x d). Daniel Cazzolato

2014 Heysen Sculpture Biennial: the art of open air

The Heysen Sculpture Biennial, located on The Cedars, the Adelaide Hills property near Hahndorf on which German-born artist Sir Hans Heysen (1877-1968) lived and worked, was first held in 2000. On that…
Linda Namiyal Bopirri, 1990, Yolngu Matha, Dhuwa moiety, (Liyagalawumirr), Guruwara, Ramingining, Central Arnhem Land, Northern Territory, Birds on Oyster Bank, (‘Oyster Dreaming’, ‘Wayanaka’), Acrylic and Natural Pigments on Canvas, 122x122 cm. © the artist's estate, licensed by Aboriginal Artists Agency Ltd; Burkhardt-Felder Collection, Switzerland

Location, location, location: two contrasting Dreaming narratives

Location, location, location. The real estate agents’ hollow, hackneyed mantra takes on real purchase when applied to the distribution of Dreamings and Dreaming narratives across this continent and its…

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