Khaled Sabsabi, You (still), 2007, multi-channel digital video, colour, sound, 9:59 minutes, Museum of Contemporary Art Australia, Sydney. AAP Image/Supplied by Museum of Contemporary Art Australia

Who gets to be political in Australian art?

Australia has a rich history of artists engaging in political issues, and of such work being shown without timidity in state and national galleries.
Vincent Namatjira, Western Aranda people, Northern Territory, born Mparntwe (Alice Springs), Northern Territory, 14 June 1983. The Indulkana Tigers, 2014, Indulkana, Aṉangu Pitjantjatjara Yankunytjatjara Lands, South Australia synthetic polymer paint on linen 122.0 x 152.0 cm Private Collection © Vincent Namatjira.

Vincent Namatjira’s paintbrush is his weapon. With an infectious energy and wry humour, nothing is off limits

Vincent Namatjira, a Western Arrernte artist, is Albert Namatjira’s great-grandson. His genre is portraiture, but with a twist: loaded with satire and post-colonial politics.
Nickolas Muray, born Szeged, Hungary 1892, died New York, United States of America 1965, Frida Kahlo on bench #5, 1938, New York, United States of America, carbon print, 45.5 x 36 cm; The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and the Vergel Foundation, © Nickolas Muray Archive.

Frida & Diego: Love & Revolution is insightful and beautiful; a reminder of how Anglo‑American our conception of modern art is

Frida Kahlo devotees, this new exhibition at the Art Gallery of South Australia is your show.
Oliviero Toscani, born Milan, Italy 1942, Andy Warhol, 1975, New York, United States of America, pigment print, 32.0 x 46.0 cm (image), 40.0 x 50.0 cm (sheet); Public Engagement Fund 2021, Art Gallery of South Australia, Adelaide, © Oliviero Toscani.

Polaroids of the everyday and portraits of the rich and famous: you should know the compulsive photography of Andy Warhol

Andy Warhol and Photography: A Social Media at the Art Gallery of South Australia is a brilliant new exhibition into the little explored side of the pop master.
Ann Newmarch, born Adelaide 1945, died Adelaide 2022, Self-portrait. 1/60th of a second, 1981, Adelaide, photo-etching on paper, 26.4 x 34.7 cm (plate), Public Donations Fund 2015, Art Gallery of South Australia, Adelaide, © Ann Newmarch; and Hossein Valamanesh with his work Untitled, Gallery 6, Art Gallery. of South Australia, Adelaide, 2019

Australian art has lost two of its greats. Vale Ann Newmarch and Hossein Valamanesh

Although they work in different genres, a similar sense of restraint imbues the work of each.
Dušan Marek, born Bítouchov, Czechoslovakia 1926, died Adelaide 1993. Analysis of Substance, 1952, Kings Cross, Sydney. Oil on canvas, 36.5 x 88.2 cm. Purchased with the assistance of James Agapitos OAM and Ray Wilson OAM 2007, National Gallery of Australia, Canberra

Surrealists at Sea: Dušan and Voitre Marek finally receive their place in the pantheon of Australian surrealism

Australian surrealism has long been understood as if it was imported from Paris. This new exhibition places two Czech-Australian émigrés at the heart of the movement.
Clarice Beckett, Australia, 1887 - 1935, The red sunshade, 1932, Melbourne, oil on board; Gift of Alastair Hunter OAM and the late Tom Hunter in memory of Elizabeth through the Art Gallery of South Australia Foundation 2019, Art Gallery of South Australia, Adelaide. AGSA

Clarice Beckett exhibition is a sensory appreciation of her magical moments in time

Known for her soft capturing of tonal shifts and poignant moments, painter Clarice Beckett’s legacy was almost lost to time and decay. Now her work is being celebrated in a major exhibition.
Dorrit Black, The Bridge, 1930. Oil on canvas on board, 60.0 x 81.0 cm. Bequest of the artist, 1951, Art Gallery of South Australia, Adelaide.

How our art museums finally opened their eyes to Australian women artists

Dorrit Black, Grace Cossington Smith and Grace Crowley were some of many talented modernist women artists. But only with the advent of second wave feminism in the 1970s was their work properly acknowledged.

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