The internationally acclaimed fusion of choreography and monologue, co-created by Hepi with Mish Grigor, is a witty exploration of beginnings.
- Senior Lecturer in Theatre and Performance, UNSW
Carriageworks did everything right but was struggling even in regular conditions. Now the organisation’s troubles are emblematic of an arts sector on the edge – but there might be a brighter future.
Australia’s three major summer festivals in Sydney, Perth and Adelaide give an interesting insight into how festival programming is changing – or not.
Beware of Pity is a play based on Austrian author Stefan Zweig’s novel of the same name. It is a coming-of-age story that asks whether pity can be our undoing.
Debates about the place of the monologue in theatre fall away when you have a show as compassionate and funny as The Weekend.
Deer Woman, written, directed, designed, composed, stage managed and performed by First Nations artists from Canada, is anchored by a solo performance of fierce skill, focus and precision.
My Name is Jimi is the story of actor Jimi Bani told by four generations, in three languages, drawing on multiple cultural and theatrical traditions.
Barbara and the Camp Dogs transformed Sydney’s Belvoir Theatre into a pub gig. But what started as a comedy became a searing tragedy about Australia’s inability to listen to Indigenous people.
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