Detail from Aleksandr M. Rodchenko’s 1925 poster and a 1968 Chinese lithograph by the Tianjin Fine Arts Publishing House. Images courtesy of Fleet Library, Rhode Island School of Design, and Landsberger Collection, International Institute of Social History, Amsterdam

Soviet socialist realist art is found in the Asia‑Pacific region too. Here are ten classics to look out for

Soviet socialist realist art is often maligned. But there is much to celebrate in this style of art, writes Alison Carroll. Here are her top picks from our own region.
Scotty So, Wearing a mask at the end of the Spanish flu, no. 1 2020 inkjet print 76.3 × 50.8 cm (image) 86.5 × 61.0 cm (sheet). National Gallery of Victoria, Melbourne Purchased, Victorian Foundation for Living Australian Artists, 2021 © Scotty So

The Past is Present: reflecting on 150 years of Chinese art at the National Gallery of Victoria

The first Chinese object was acquired by the year-old gallery in 1862. A new exhibition looks at this history – and towards the future.
Mella Jaarsma, The landscaper 2013, kostum: kayu, cat, besi, dan kulit, video single-channel: 3:40 menit, warna, suara. National Gallery of Australia, Canberra. Purchased 2018. Photo by Mie Cornoedus

Seni Indonesia terlihat segar, energetik, dan hidup di pameran seni di Canberra. Mengapa Australia tidak banyak melihatnya?

Pameran Contemporary Worlds: Indonesia menampilkan banyak karya menakjubkan. Meski dekat secara geografi, terdapat sedikit kesempatan bagi orang Australia untuk ikut terlibat dengan seni Indonesia.
Mella Jaarsma, The landscaper 2013, costume: wood, paint, iron and leather, single-channel video: 3:40 minutes, colour, sound. National Gallery of Australia, Canberra. Purchased 2018. Photo by Mie Cornoedus

Indonesian art is fresh, energetic and lively. Why do we not see more of it?

The exhibition Contemporary Worlds: Indonesia has many wonderful works. But it is an exception - despite our close proximity, there are few opportunities for Australians to engage with Indonesian art.
Installation view of Cai Guo-Qiang’s Murmuration (Landscape) 2019 (detail) Realised in Dehua, Fujian. province and Melbourne, commissioned by the NGV. Proposed acquisition supported by Ying Zhang in association with the Asian Australian Foundation, 2019 NGV Foundation Annual Dinner and 2019 NGV Annual Appeal, on display at NGV International. © Cai Guo- Qiang. Photo © Tobias Titz

A scope as big as humanity can conjure: the Terracotta Warriors & Cai Guo‑Qiang

A new exhibition pairs China’s famed Terracotta Warriors with contemporary works of inspiring ethereality. The contrasts here are many: life and death, harmony and chaos, energy and control, art and politics.
A scene from Bangarra Dance Theatre’s Lore: the oldest continuing culture in the world resonates with overseas audiences. Jeff Tan/Newzulu

‘Australia has no culture’: changing the mindset of the cringe

Why do students still describe Australia as a ‘young’ country lacking culture? Are our universities doing enough to to teach Australian films, artwork and books?
Australia has to take the initiative if we want to build a relationship with Asia based on the arts. AAP

Finding a place on the Asian stage

WHAT IS AUSTRALIA FOR? Australia is no longer small, remote or isolated. It’s time to ask What Is Australia For?, and to acknowledge the wealth of resources we have beyond mining. Over the next two weeks…

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