The fourth wall break is a 100-year-old screen staple – and film and TV creators can’t seem to get enough.
- Associate Professor, Media Arts & Production, University of Technology Sydney
Alongside some fresh Christmas flicks, there’s another ‘Carol’ featured in this month’s wrap – but this one is miserable, and trying to evade aliens.
Sorry, Baby and After the Hunt have put graduate research – and its ethical grey areas – on the screen.
Anderson’s film style is being rolled out across cultural and geographic borders. This syncs with the filmmaker’s affinity for global cinema.
In the film Tár, the full screen credit list which we usually get at the end of the film, attributing the labour of the production, came before the film proper. Why?
Undercover cop narratives are usually full of anxiety, but The Stranger goes a step further, focusing on the trauma and darkness of the job.
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