Meryl Streep’s performance may lack bite, but seeing Hathaway, Streep, Blunt and Tucci together again is joyful and escapist.
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The Devil Wears Prada sheds light on the brutality of professional hierarchies in ways that feel even more urgent now than they did in 2006.
The biggest Lee Miller show since 2007, this new exhibition tells her complex story through 250 modern and vintage prints, including previously unseen images.
In a big win for the anti-fur movement, Condé Nast has formalised a fur-free policy across its global titles, including Vogue, Tatler, Glamour and Vanity Fair.
If a machine creates a video or a song that brings a person to tears, does it matter that the machine felt nothing?
Wintour’s legacy at Vogue involved elevating fashion from a frivolous runway to a powerful industry which is not scared to make a statement.
Former Vogue editor Diana Vreeland transformed what was once a stuffy, high society fundraiser into a global media bonanza.
In the 1990s, Alannah Hill, Collette Dinnigan and Akira Isogawa brought flair and an Australian sensibility to the global fashion market.
Clothing and makeup are silent, powerful ways for candidates to tell the American public who they are – and how they’ll lead.
The Met Gala explored fashion’s complex relationship with nature and the passing of time.
Ukraine is partnering with an advertising company to produce an innovative nation branding campaign during a war. The campaign could have influence beyond how Ukraine and Russia conduct this war.
A disagreement between L'Oréal and two leading Chinese influencers shows how brands can run into difficulties in the modern era.
Billie Eilish received criticism for wearing an ‘oppressive’ corset on the cover of Vogue. But for centuries, the clothing gave women support in work, and in play.
Could Edward Enninful’s new role at Vogue UK be the first sign of a changing fashion industry?
Glossy magazines have a serious role to play.
But glossy pages filled with non-models may be a step in the right direction.
Magazines like Vogue are fashion’s gatekeepers, but now style bloggers are democratising the fashion world – and the mags don’t like it.
As models hit the catwalk for London Fashion Week, how do these trends actually relate people on the streets?
Miranda Kerr sparked controversy last week when she appeared in Japanese Vogue dressed in a kimono. Critics in the blogosphere and The New York Daily News wondered whether her donning traditional Japanese…
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Senior Lecturer in Fashion Enterprise, Torrens University Australia
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Professor in Psychology, Durham University
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Lecturer in Cultural Politics, Communication and Media Studies, University of East Anglia
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Researcher, international and comparative law, Université Libre de Bruxelles (ULB)
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Senior Lecturer in Communication Studies, University of Otago
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Senior Lecturer in Fashion Marketing & Communication, Sheffield Hallam University
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Associate Professor of Transdisciplinary Studies, Xi'an Jiaotong-Liverpool University
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PhD Candidate in History, Te Herenga Waka — Victoria University of Wellington
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Senior Lecturer Visual Culture, Cardiff Metropolitan University
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Associate Professor of Strategic Communication and Faculty Affiliate at the Sié Chéou-Kang Center for International Security & Diplomacy, University of Denver
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Associate Professor of History, University of Nevada, Las Vegas
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First Nations Cultural Innovation Lead - Beauty and Technology, Charles Sturt University
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Kluge Fellow at the Library of Congress
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Lecturer, Fashion Design, School of Design and Architecture, Swinburne University of Technology
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Associate Professor of Business Analytics and Information Systems, Quinnipiac University