Mahler’s inventive modernism and highly expressive writing communicated emotions shaped by his fascinating late-19th century life.
Articles on Tár
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The two symphonies show different sides to Mahler’s musical sensibilities as he shifted from from the late-Romantic to early Modernist,
In the film Tár, the full screen credit list which we usually get at the end of the film, attributing the labour of the production, came before the film proper. Why?
‘Tár’ shines a spotlight on the challenges of working in the ultraconservative world of classical music, including complex social issues such as misogyny, racism and homophobia.
Tár muddles fact in with its fiction, creating a skewed impression of a conductor’s power.
Top contributors
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Instructor of Music, Dalhousie University
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Professor of Musicology, Dalhousie University
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Associate Professor, Media Arts & Production, University of Technology Sydney
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PhD candidate, Music Theory, McGill University
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Professor of Musicology, Linnaeus University
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Director of Performance, St Catherine’s College, University of Oxford