Has romance turned into a marketplace where intimacy is measured through transactions?
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What happens when a rapper whose early work explored capitalism’s brutality becomes one of the system’s most successful beneficiaries?
Puerto Ricans like Bad Bunny complicate the administration’s campaign to portray America as an English-speaking, homogenous nation.
Hip-hop and youth culture have long been intertwined, creating an awkward situation for rappers who want to continue practicing their craft into their 50s, 60s and beyond.
Eminem has routinely used the lead singles from his studio albums to reintroduce himself. And Houdini is no different.
Since rap’s emergence, artists have boasted about themselves in ways that were funny and sometimes violent, vulgar and sexist. The popularity of the music and its exploitation can be dangerous.
The lyrics illustrate what it means to grow up young, black and deprived on the fortress like council estates of London.
Mass Country was intended to be AKA’s masterpiece, but he needed certified hit makers to get it there.
Top contributors
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Associate Professor of Hip-Hop, University of Virginia
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Senior Research Fellow, Institute for Humanities in Africa, University of Cape Town
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Senior Lecturer, Music Enterprise and Entrepreneurship, University of Westminster
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Professor of Ethnic Studies, Colorado State University
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Professor of Law, Florida International University
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Assistant Professor of Race and Media, School of Journalism and Mass Communications, University of South Carolina
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Associate Dean of Humanities and Social Sciences, University of Winchester
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Research Fellow, Rhodes University