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Composer Jerskin Fendrix’s first-time film score is a hoot.
The absurd humour which the film is being lauded for is often at Bella’s ‘primitive’, ‘monstrous’ or ‘damaged’ actions: words which have been used to describe disabled people throughout history.
Using a variety of instruments and playing live music on the film set are all part of how composer Jerskin Fendrix generated brilliant sonic accompaniment for ‘Poor Things.’
Poor Things accurately depicts girls’ early sexual feelings and shows us some more positive ways of understanding girlhood sexual desire.
A film adapted from a radical piece of Scottish Literature, powerful dramatisations of abuse and miscarriages of justice and a game show about deception
A radical painter and writer, Alasdair Gray’s work was full of bold visions for an independent Scotland.
Top contributors
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Associate Professor of Practice, School of Health Sciences and the Centre for Disability Research and Policy, University of Sydney
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Lecturer - Health & Social Development, Deakin University
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PhD Candidate, School of History, Australian National University
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Professor of Music, Carleton University
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Associate Professor in Twentieth-Century and Contemporary English Literature, University of Nottingham
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Senior Lecturer, School of Psychology and Neuroscience, University of Bristol
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Lecturing in Film Music & Piano, University College Cork
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Senior lecturer, Deakin University