Articles on Photography

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Barber. Robert Ashton from Fitzroy 1974 published by Hardie Grant Books.

Fitzroy 1974: a sumptuous record of a time before hipsters

This celebration of public life in Melbourne’s Fitzroy, in 1974, reveals a vigorous working-class suburb evolving into a countercultural marvel of cheap ‘fixer-uppers’ and bohemian share houses.
What’s the right choice for storing your photos? Wasim Ahmad

How to archive your photos in the digital age

A media scholar and photographer walks you through the options for archiving all those photos you’re collecting on your phone.
Anne Zahalka, The Artist (self portrait),1988, from the series Resemblance II. Silver dye bleach print 50.0 x 50.0 cm. Courtesy of the artist represented by ARC ONE Gallery (Melbourne) and Dominik Mersch Gallery (Sydney).

The stunning photographs of Australian artist Anne Zahalka: remembering the past and recording the present

In 1986 the Australia Council paid for a young photographer to live for a year in Berlin. Anne Zahalka’s subsequent career shows this was money well spent.
Hiroshi Sugimoto, installation view, Hiroshi Sugimoto: Time Machine, Museum of Contemporary Art Australia, 2024. Image courtesy the artist and Museum of Contemporary Art Australia, © the artist, photograph: Zan Wimberley

The photography of Japanese artist Hiroshi Sugimoto captures uncertainty, ruin and empty splendour

The work of Hiroshi Sugimoto is now on display at the Museum of Contemporary Art. His photographs reveal his reverence for technique.
Julie Rrap, Disclosures: A Photographic Construct (detail), 1982, installation view. Julie Rrap: Past Continuous, Museum of Contemporary Art Australia, 2024, black and white archival prints, colour cibachrome prints, Museum of Contemporary Art, purchased 1994. Image courtesy the artist and Museum of Contemporary Art Australia © the artist. Photograph: Zan Wimberley.

‘Not just as we are, but as we have been and as we will be’: the time‑warping brilliance of Australian artist Julie Rrap

In a culture that seeks to make older women invisible, Julie Rrap’s latest exhibit, Past Continuous, is a gloriously defiant statement of self.

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