The women of the Bayeux tapestry tell a story as compelling and important as the main depiction of the battle.
Articles on Norman Conquest
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New BBC drama King and Conquerer, the Bayeux tapestry and Anglo-French politics all collide in the Channel.
It came about through sustained contact with native Spanish speakers who directly translated phrases from Spanish into English, a form of linguistic borrowing called ‘calques.’
The 950-year-old Bayeux Tapestry is as much an object of fascination for its mysterious origins and formidable craft as it is for the nationalist debates it continues to inspire.
Amateur detectorists do a lot of the heavy lifting on which archaeologists depend.
But the British soon got the hang of profanity.
After the Norman Conquest, England’s fate became intimately entwined with France and an enduring relationship with Western Europe was born.
Nine centuries after it was commissioned to celebrate the Norman Conquest, the famed tapestry is finally going to visit England.
When the Normans conquered England, they brought their continental tastes with them.
1066 was a close-run thing and Harold almost cemented his reputation as a military mastermind. An English victory may not have benefited the country, though.
Top contributors
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Lecturer in Archaeological Science, Cardiff University
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Professor of Medieval Archaeology, University of Leicester
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Reader in Medieval History, University of Sheffield
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Reader in Medieval History, Manchester Metropolitan University
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Professor of Medieval History, University of Reading
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Doctoral Researcher in Late-Medieval Linguistics and Literature, University of Sheffield
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DPhil in Medieval History, University of Oxford
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Independent Researcher in Medieval Archaeology, University of Sheffield
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Lecturer in Human Osteology, University of Sheffield
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Professor of Linguistics and English, Florida International University
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Professor of Medieval History and Consumer Culture, School of History, University of East Anglia
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Professor emerita, Art History, York University, Canada
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Postdoctoral Research Fellow, History of Art Department, Trinity College Dublin
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Director of the Centre for History Heritage and Memory Studies; Associate Professor in History, Nottingham Trent University