Disney parks have become stops on a secular pilgrimage made by presidents and ordinary citizens alike, places to understand what it means to be an American.
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30 years ago, the company had grand plans to build a history-themed park in Virginia. But efforts to ‘Disneyfy’ American history met staunch opposition, even in the halcyon 1990s.
Within a few years of his debut appearance in 1934, Donald Duck had already achieved a celebrity status comparable to Shirley Temple or Greta Garbo.
The earliest versions of Mickey and Minnie Mouse entered the public domain in the United States at the start of this year, 95 years since they were introduced to the public.
ACMI’s first feature exhibition since its redevelopment shows fans the complex artistry behind their childhood favourites.
We’ve had 90 years of those famous ears.
Positive gesturing aside, Disney hasn’t changed much since its first feature film – except it’s now very, very rich.
Top contributors
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Professor in American Media and Culture, University of Kent
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Director of the Animation Academy, Loughborough University
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Senior Lecturer in Law, University of Technology Sydney
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Associate Dean of Learning, Teaching, and Student Success and Lecturer in Media, Art and Communication, Sheffield Hallam University
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Senior Lecturer in the School of Design, RMIT University
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Assistant Teaching Professor of Critical Sports Studies, University of Colorado Boulder
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Museum Specialist, National Museum of American History, Smithsonian Institution