Showing now at Sydney’s Museum of Contemporary Art, Not a Souvenir forces us to confront Australia’s colonial kitsch culture.
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In a culture that seeks to make older women invisible, Julie Rrap’s latest exhibit, Past Continuous, is a gloriously defiant statement of self.
The 24th edition of the Biennale of Sydney, titled Ten Thousand Suns, is an explosion of joy and creative energy across seven venues.
For Zoe Leonard, photography is not just about using a camera. Photography is also about a way of thinking, seeing and interacting.
This third, and possibly final, biennial shows artists are deeply embedded in the politics of today.
What happens when the gap between a company and its umbrella group gets too wide? We’re about to find out.
‘Objects are to be punned into symbols. Words can be dissected and distorted to change or multiply their meanings.’ Welcome to Aleks Danko’s radical – and fun – body of work, on show at the VCA.
With more than 200 prints on display, Chuck Close: Prints, Process and Collaboration is one of the biggest printmaking exhibitions to be held in Australia. The whole top floor of Sydney’s Museum of Contemporary…
Top contributors
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Adjunct Professor of Art History, Australian National University
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Former Visiting Fellow, SPRU, University of Sussex Business School, University of Sussex
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Joanna Mendelssohn is a Friend of The Conversation.
Honorary Senior Fellow, School of Culture and Communication, The University of Melbourne
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Associate Professor at UNSW Art & Design, UNSW
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PhD Candidate, Institute for Culture and Society, Western Sydney University
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Associate Professor Visual Communication, University of Technology Sydney
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Senior Lecturer in Media, Macquarie University
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Professor of Critical Indigenous Studies, Macquarie University