Four decades later, post-apartheid South Africa barely recalls the Medu Art Ensemble’s contributions to the liberation struggle. But that could be changing.
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That none of his collections were published in apartheid South Africa testifies to the police state’s censorship.
A consideration of Cuban poet Nancy Morejón’s engagement with Keorapetse Kgositsile and her visits to South Africa – shed new light on her poetic practice.
