In A Woman’s Eye, Her Art, Drusilla Modjeska unpacks how the once-forgotten women artists of the early 20th century continue to inspire today.
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A century ago, the French writer and poet André Breton penned his ‘Manifesto of Surrealism,’ launching an art movement known for creating bizarre hybrids of words and images.
It’s often implied that violent art means something sinister about its creator – most recently, in news stories about ‘scary’ kids’ drawings of death. But the history of modern art suggests otherwise.
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Professor of Social Welfare, Washington University in St. Louis
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Professor in Visual Arts, La Trobe University
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Joanna Mendelssohn is a Friend of The Conversation.
Honorary Senior Fellow, School of Culture and Communication, The University of Melbourne