The success of ‘Oppenheimer’ at the Academy Awards presents an opportunity to think about critical criteria for viewing historical film — and what we are owed by historical filmmakers.
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From the red carpet to the winners and the speeches, our experts dissect the 2024 Oscars.
Gladstone has used her platform in the run-up to this year’s awards season to highlight issues affecting Native American communities in America today.
Though only a few of Scorsese’s films focus on religious stories, deeper questions about faith, doubt and living in a violent world tend to haunt his movies.
Despite the perpetrators being tried and convicted, anti-Indigenous sentiment roiled the area for decades.
David Grann’s account of a sensational murder investigation, the basis for Martin Scorsese’s latest film, delves into the mythologies of the old Wild West
Top contributors
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Associate Professor. Cinema Arts, School of Creative Arts, University of Windsor
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Associate Professor of Indigenous Literatures, University of Dayton
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Professor, Critical Indigenous Studies and Director of The Centre for Global Indigenous Futures, Macquarie University
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor of Religious Studies, University of Dayton
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Composer and Lecturer in Screen Composition, Sydney Conservatorium of Music, University of Sydney
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Senior Lecturer, School of Fashion and Textiles, RMIT University
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Emeritus Professor in the School of Art, Media and American Studies, University of East Anglia
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Professor of English, Institute for Humanities and Social Sciences, ACU, Australian Catholic University
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Foundation Member of the First Year College, Victoria University