Why this 1866 painting by French artist Auguste Toulmouche has become an online sensation.
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Director Steven Soderbergh believes he has presented a female perspective, but all he’s done is shoot men in the same dehumanising way that has historically fetishised women
The survival of the Edinburgh International Festival, and others like it around the world, is testament to ingenuity of organisers and performers. But there’s no substitute for the live experience.
Persuasion is a distinctly romantic modern comedy in tone – but how much does historical accuracy matter?
A new wave of productions are proving that there is power and possibility in the menopause
Donald Glover, Shonda Rhimes, Phoebe Waller-Bridge: they are the ‘showrunners’ behind some of the biggest hits on the small screen. But what, exactly, is a showrunner?
Key to the success of the much-lauded Fleabag is its creator’s repurposing of two cliched narrative devices: flashback and breaking the fourth wall.
Top contributors
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Dean of Research (Creative), Adelaide University
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PhD Candidate, Public History and Digital Humanities, Trinity College Dublin
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Lecturer in Theatre, Te Herenga Waka — Victoria University of Wellington
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Head of Film, Screen and Creative Media, Bond University
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Lecturer, Screenwriting, The University of Melbourne
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Professor of Contemporary Writings, Northumbria University, Newcastle
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Lecturer in Cultural Politics, Communication and Media Studies, University of East Anglia
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Senior Lecturer in Writing, Literature and Culture, Deakin University