Nico Muhly’s Aphrodite reimagines the mythological goddess for the modern age, in a production that is both visually stunning and musically engaging.
Articles on Carriageworks
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From Opera Australia, Sydney Chamber Orchestra and Carriageworks, Gilgamesh, is a visceral retelling of a story from a forgotten age, exploring ideas of love, tyranny and what it means to be human.
From Broome-based dance company Marrugeku, this new work is a throbbing protest about the violence experienced by Indigenous, racial, trans and queer Australia.
This third, and possibly final, biennial shows artists are deeply embedded in the politics of today.
Carriageworks did everything right but was struggling even in regular conditions. Now the organisation’s troubles are emblematic of an arts sector on the edge – but there might be a brighter future.
Carriageworks is not a conventional art space. It is a space of and for community.
How is it that contemporary painting has dug its heels in, so to speak, and refuses to look like a painting anymore?
Top contributors
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Lecturer, Interdisciplinary Studies, School of Design, Faculty of Design Architecture and Building, University of Technology Sydney
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Senior Lecturer in Theatre and Performance, UNSW
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Associate Professor at UNSW Art & Design, UNSW
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Honorary Associate, Department of Theatre and Performance Studies, School of Literature, Art, and Media, Faculty of Arts and Social Sciences, University of Sydney
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Associate Professor Visual Communication, University of Technology Sydney
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Honorary Research Associate, Department of Classics and Ancient History, University of Sydney
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Lecturer in Musicology, Sydney Conservatorium of Music, University of Sydney