Ne Zha 2: The Sea’s Fury has entered the top 10 highest grossing films of all time. It’s also China’s highest-grossing film to-date.
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I have spent the last two years researching the cultures and practices of cinema-going. Here’s what people tell me.
Last year saw attendance records smashed at screenings of homegrown movies in Indonesia and Malaysia.
What Hollywood studio bosses seem not to realise is that they’re trying to save US$1 billion but could lose ten times as much as a result.
Disney says the Marvel movie just beat ‘Avatar’ as the top-grossing movie of all time. Inflation tells a different story, as an economist explains.
Studios are starting to realize that diverse casts and diverse stories have a massive earning potential.
It’s why Marvel’s effort to break the worldwide box office record is doomed, as an economist explains.
A great movie that gets some of its history wrong is way better than an accurate film that puts people to sleep.
The Star Wars franchise has become so familiar in 40 years that it’s easy to forget it broke new ground in 1977.
An analysis of more than 800 top-grossing films suggests diverse movies struggle in front of international audiences.
The new mummy film is the latest foray into ‘shared universes’, the seemingly critic-proof movie juggernauts that have come to dominate our cinemas.
Many films exist on a knife-edge … failure is only a screening away.
Top contributors
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Associate Professor of Business, Boston University
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Lecturer, University of Portsmouth
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Professor of Economics, Scripps College
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Subject Leader in Film and Media, Bath Spa University
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Senior Lecturer in Film Studies, Keele University
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Director, Institute for Screen Industries Research and Professor of Film Industries, University of Nottingham
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Associate Professor in Screenwriting, Emerson College
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Senior Lecturer in Creative Industries & Chief Investigator at QUT Digital Media Research Centre (DMRC), Queensland University of Technology
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Senior Lecturer, Department of Media and Communication, La Trobe University
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Honorary Research Fellow, English and Cultural Studies, The University of Western Australia
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Lecturer (Common Core) & Communication, Media and Film Scholar, Adelaide University