Disputes from 1944 to today trace the increasingly central role of government funding in shaping working conditions in the arts.
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While the writing and main star Noni Hazlehurst shine, the play is let down by poor design choices.
The Sydney Theatre Company’s newest offering is The Talented Mr. Ripley. Is Australian theatre over-reliant on novel adaptations?
Some offerings were political and academic, some were celebratory. Some told us personal or cultural stories, some had 100 dancers, some had one.
A new form of ticketing is becoming more popular in the arts – and it might help us be more charitable than before.
Top contributors
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Associate Professor in Economics, RMIT University
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Senior Lecturer in Economics, RMIT University
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PhD Candidate in Dance and Dance History Tutor, The University of Melbourne
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Lecturer in English and Writing, University of Sydney
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Lecturer, Te Herenga Waka — Victoria University of Wellington
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Academic in Theatre and Performance Studies, University of Sydney