Rhyddhawyd Jurassic Park ar y sgrin fawr ym mis Mehefin 1993 a newidiodd sinema am byth.
Articles on Animation
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Jurassic Park was released on the big screen in June 1993 and changed cinema for good.
Del Toro’s Pinocchio stands out because it couples existential issues with real-world historical catastrophes.
Ash Ketchum is retiring from the Pokémon franchise, but this doesn’t spell the end of Pikachu.
Guillermo del Toro’s Pinocchio explores one of the filmmaker’s signature tropes – a child abandoned amid a fascist regime.
Twenty-five years on from his promise to become “the very best”, Ash Ketchum has won the Pokémon World Championship. But for a franchise that’s always evolving, this is far from the end.
Despite the fact that many of its elements were alien to American audiences, the film became a sensation.
The company has been suspected of alluding to same-sex couples in the past but Lightyear’s kiss could be the first overt instance of LGBTQ+ representation.
The custodians of one of Hollywood’s most reliable cash machines have been careful to sidestep political minefields that might remind customers of a realm outside the Magic Kingdom.
Though it was exceedingly grating, the late comedian was able to perfect a sound that worked in tandem with his brand of humor.
Representations of girls on screen have become much better over the years but there is still a vocal audience who would rather they be tame and demure.
A provocative short film about a woman and her dog, Bestia highlights the impunity enjoyed by Chile’s military and politicians
Animation allowed the makers of Flee to tell a story that challenges the pervasive narrative of it means to be a refugee
Growing up is never easy, but visualising complex ideas can help. Animation and character design allow us to put a metaphorical mirror up to society.
Royal satire has softened over the last 300 years, but audiences are more sensitive to barbs against the institution.
The latest Disney-Pixar film has been seen as containing queer themes, but what is the animation studio trying to achieve?
The condition challenges the centuries-old idea that all great artists are able to envision what they’re drawing.
ACMI’s first feature exhibition since its redevelopment shows fans the complex artistry behind their childhood favourites.
Fictional screen robots have long represented our fear of technology. A new animated family film combines this trepidation with many parents’ fear of losing offline connection with their kids.
Released in 2001, it was the first film to really give Pixar a run for its money.
Top contributors
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Senior Lecturer in Illustration and Animation, Adelaide University ; University of Newcastle
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Senior Lecturer in Liberal Arts and Visual Cultures Education, Department of Interdisciplinary Humanities, King's College London
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Senior Lecturer in the School of Design, RMIT University
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Senior Lecturer: Director MSc Animation and VFX MDes Comics & Graphic Novels, University of Dundee
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Lecturer (Common Core) & Communication, Media and Film Scholar, Adelaide University
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Senior Lecturer in Digital Media Production, University of Westminster
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Director of the Animation Academy, Loughborough University
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PhD Candidate, School of English, Dublin City University
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Lecturer in Animation, University of Greenwich
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Senior Lecturer Film Studies and Media, York St John University
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Professor of Film and Digital Arts, University of Bristol
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Lecturer in Animation, University of Newcastle
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Associate Dean of Learning, Teaching, and Student Success and Lecturer in Media, Art and Communication, Sheffield Hallam University
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Associate Professor in Film Studies, University of Southampton
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Lecturer in Contextual and Critical Studies for Visual Effects and Motion Graphics, University of South Wales